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uBlock Origin ★5 (1002レス)
uBlock Origin ★5 http://egg.5ch.net/test/read.cgi/software/1741154682/
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745: エスパー魔美 ◆Akina/PPII ハンター[Lv.68][新] [sage] 2025/07/04(金) 12:04:32.70 ID:fsPIVklW0 sssp://img.5ch.net/ico/miyabi.gif >>743 ロッシーニが聴きたかったし好きな曲だけども、絵柄が申し訳無いけど好みではないわ こういうのが良いわ Bizet: Carmen "Aragonaise" (Toscanini 1921) 公開日 2025/07/04 • 10 回視聴 5 https://youtu.be/G3f1rqpXzgg https://inv.nadeko.net/watch?v=G3f1rqpXzgg Glen's Audio Restoration 登録解除 1,300 Arturo Toscanini: La Scala Orchestra Date: 31 March 1921 Location: Victor's Church Studio, Camden, New Jersey Georges Bizet (1838-175) Carmen (1875) "Aragonaise" (Prelude to Act 4) Restored from Victor 839-A archive.org/details/78_aragonaise-prelude-to-act-4_toscanini-and-la-scala-orchestra-bizet_gbia3032360a Art: Midjourney Please visit my channel dedicated to the great Romanian conductor and composer Constantin Silvestri. youtube.com/@constantinsilvestrigar Please visit my channel "Glen's Centennial Oldies" featuring popular songs and dance music of the 1910s and 1920s. youtube.com/@glenscentennialoldies And as always, please Like, Comment, and Subscribe. http://egg.5ch.net/test/read.cgi/software/1741154682/745
746: エスパー魔美 ◆Akina/PPII ハンター[Lv.68][新] [sage] 2025/07/04(金) 12:05:35.13 ID:fsPIVklW0 sssp://img.5ch.net/ico/miyabi.gif >>745 Maria Callas Live: Bizet's Carmen Habanera, Hamburg 1962 公開日 2017/07/27 • 34,192,323 回視聴 421,455 https://youtu.be/EseMHr6VEM0 https://inv.nadeko.net/watch?v=EseMHr6VEM0 Warner Classics チャンネル登録 112万 maria-callas.com Callas’s only operatic appearances in Germany were Lucia di Lammermoor, with Karajan conducting, in Berlin in 1955, and La sonnambula in Cologne in 1957, but in both 1959 and 1962 she made concert tours of the country, visiting Hamburg twice. The video recordings of her concerts in the city showcase her in a dazzling variety of Italian and French repertoire for both soprano and mezzo-soprano: three contrasting Verdi roles (Lady Macbeth, Elvira from Ernani and Elisabetta from Don Carlo); Imogene from Bellini’s Il pirata; Giulia from La vestale; Chimène from Massenet’s Le Cid; Verdi’s most explosively dramatic aria for mezzo-soprano – Eboli’s ‘On don fatale’ from Don Carlo; Carmen’s seductive Habanera and Seguédille and, from Rossini’s La Cenerentola, Angelina’s final rondo, which magically combines modest charm and sparkling virtuosity. http://egg.5ch.net/test/read.cgi/software/1741154682/746
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