Billboard・UK Official Chartsスレ vol.34

[過去ﾛｸﾞ] Billboard・UK Official Chartsスレ vol.34 (1002ﾚｽ)
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457: 名盤さん [sage] 2022/04/23(土) 03:36:52 ID:bmItcwN0

4/23付最新ビルボードHOT 100
(間違いがあれば訂正お願いします。遅くなり申し訳ありません。)

(N)1.Jack Harlow/First Class(今週のHOT SHOT DEBUT。自身2曲目のNo.1獲得。HOT 100初登場No.1としては
　　 通算60曲目。)
↓2.Harry Styles/As It Was(GREATEST AIRPLAY GAINERを獲得。)
↓3.Glass Animals/Heat Waves(チャートイン65週目。)
↓4.Latto/Big Energy(チャートイン25週目。)
━5.Imagine Dragons X JID/Enemy
↓6.The Kid LAROI & Justin Bieber/Stay(チャートイン40週目。)
↓7.Kodak Black/Super Gremlin
━8.Doja Cat/Woman
↓9.Justin Bieber/Ghost
━10.Lil Nas X/Thats What I Want(チャートイン30週目。)

(TOP40内のNEW ENTRY)
(N)13.Lil Baby/Right On(自身23曲目のTOP40入り。)
(N)14.Lil Baby/In A Minute(自身24曲目のTOP40入り。)

(TOP40圏外からのランクアップ)
↑36.Morgan Wallen/Wasted On You(TOP40返り咲き。チャートイン22週目。)
↑39.Lil Durk featuring Gunna/What Happened To Virgil(1週でTOP40返り咲き。チャートイン5週目。)
↑40.Jack Harlow/Nail Tech(こちらもTOP40返り咲き。チャートイン8週目。)

(TOP40圏外へランクダウン)
↓43.Charlie Puth/Light Switch(最高ランクは3/19付チャートで記録した27位。)
↓44.Dove Cameron/Boyfriend(先週の40位が最高ランク。)
↓46.Elle King & Miranda Lambert/Drunk (And I Don't Wanna Go Home)(こちらも先週の37位が最高ランク。)
↓47.Jordan Davis featuring Luke Bryan/Buy Dirt(再び圏外へ。最高ランクは2/5付チャートで記録した22位。)
↓52.Shawn Mendes/When You're Gone(最高ランクは先週の初登場38位。)
↓64.Lil Tjay/In My Head(こちらも最高ランクは先週の初登場33位。)

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458: 名盤さん [sage] 2022/04/23(土) 03:38:46 ID:bmItcwN0

4/23付最新ビルボードアルバムチャート
(間違いがあれば訂正お願いします。)

↑1.Lil Durk/7220 47,000(再び上昇し、通算2週目の1位。)
↑2.Morgan Wallen/Dangerous: The Double Album 46,500
━3.Soundtrack/Encanto 45,000(チャートイン20週目。)
(N)4.Jack White/Fear Of The Dawn 42,000(TOP5入りは4作目。前作"Boarding House Reach"は'18.4/7付チャートで
　　 初登場1位を記録。)
━5.Olivia Rodrigo/Sour 39,000
↑6.Drake/Certified Lover Boy 30,500
(N)7.42 Dugg & EST Gee/Last Ones Left 30,000(どちらにとっても2作目のTOP10入り。)
↑8.Doja Cat/Planet Her 29,500
(N)9.Fivio Foreign/B.I.B.L.E. 29,000(初のTOP10入り。前作"800 B.C."は'20.5/9付チャートで初登場159位を記録。)
(N)10.Camila Cabello/Familia 27,500(3作連続でTOP10入り。前作"Romance"は'19.12/21付チャートで
　　　初登場3位を記録。)

(TOP40内のNEW ENTRY)
(N)14.Wet Leg/Wet Leg(初チャートイン。)
(N)19.Soundtrack/Encanto (Highlights)
(N)21.Vince Staples/Ramona Park Broke My Heart(TOP40入りは5作目。前作"Vince Staples"は昨年7/24付チャートで
　　　初登場21位を記録。)
(N)28.Father John Misty/Chloe And The Next 20th Century(TOP40入りは4作目。前作"God's Favorite Customer"は
　　　'18.6/16付チャートで初登場18位を記録。)

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459: 名盤さん [sage] 2022/04/23(土) 03:39:18 ID:bmItcwN0

(TOP40圏外からのランクアップ)
RE22.Tool/Fear Inoculum(再浮上して再びTOP40返り咲き。チャートイン17週目。)
RE35.The Weeknd/After Hours(こちらも再浮上して再びTOP40返り咲き。チャートイン81週目。)

(TOP40圏外へランクダウン)
↓41.Nirvana/Nevermind(再び圏外へ。'92.1/11付チャートで1位を記録。)
↓42.Juice WRLD/Legends Never Die(こちらも再び圏外へ。'20.7/25付チャートから2週連続で1位を記録。)
↓43.Polo G/Hall Of Fame(3度目のTOP40落ち。昨年6/26付チャートで初登場1位を記録。)
↓45.Bad Bunny/El Ultimo Tour del Mundo(こちらも3度目のTOP40落ち。'20.12/12付チャートで初登場1位を記録。)
↓46.Chris Stapleton/Starting Over(1週で再び圏外へ。'20.11/28付チャートで記録した初登場3位が最高ランク。)
↓54.Silk Sonic (Bruno Mars & Anderson .Paak)/An Evening With Silk Sonic(こちらも1週で再び圏外へ。
　　 昨年11/27付チャートで記録した初登場2位が最高ランク。)
↓60.The Weeknd/The Highlights(7度目のTOP40落ち。昨年2/17,3/13付チャートの計2週間記録した2位が
　　 最高ランク。)
↓65.Jon Batiste/We Are(最高ランクは先週の25位。)
↓71.Thomas Rhett/Where We Started(先週の初登場12位が最高ランク。)
↓123.Various Artists/DJ Drama & Dreamville Presents: D-Day: A Gangsta Grillz Mixtape(こちらも先週の
　　　初登場11位が最高ランク。)

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481: 名盤さん [sage] 2022/04/26(火) 06:22:23 ID:L1PCCZu4

Original LP release
No. Title Lyrics Music by Length
1. "She's Hit" Nick Cave Cave, Tracy Pew 6:06
2. "Dead Joe" Cave, Anita Lane Cave 3:09
3. "The Dim Locator" Rowland S. Howard R. Howard 2:50
4. "Hamlet (Pow, Pow, Pow)" Cave R. Howard 5:33
5. "Several Sins" R. Howard, Harry Howard R. Howard, H. Howard 2:56
6. "Big-Jesus-Trash-Can" Cave Mick Harvey 3:00
7. "Kiss Me Black" Cave, Lane Cave 2:48
8. "6" Gold Blade" Cave Harvey 3:35
9. "Kewpie Doll" Cave Harvey 3:32
10. "Junkyard" Cave Cave, R. Howard 5:49
CD reissue
No. Title Lyrics Music by Length
1. "Blast Off!" R. Howard R. Howard 2:19
2. "She's Hit" Cave Cave, Pew 6:06
3. "Dead Joe" Cave, Lane Cave 3:09
4. "The Dim Locator" R. Howard R. Howard 2:50
5. "Hamlet (Pow, Pow, Pow)" Cave R. Howard 5:33
6. "Several Sins" R. Howard, H. Howard R. Howard, H. Howard 2:56
7. "Big-Jesus-Trash-Can" Cave Harvey 3:00
8. "Kiss Me Black" Cave, Lane Cave 2:48
9. "6" Gold Blade" Cave Harvey 3:35
10. "Kewpie Doll" Cave Harvey 3:32
11. "Junkyard" Cave Cave, R. Howard 5:49
12. "Dead Joe" (2nd Version) Cave, Lane Cave 3:08
13. "Release the Bats"

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483: 名盤さん [sage] 2022/04/26(火) 06:24:25 ID:L1PCCZu4

Barker, Emily (4 June 2019). "Best final albums: 21 artists who went with insanely great last albums". NME. Retrieved 30 November 2020.
"The Top 100 Post-Punk Albums". Treble. 22 October 2018. Retrieved 30 November 2020.
Terich, Jeff (25 February 2013). "Hold on To Your Genre : Noise Rock". Treble. Retrieved 30 November 2020.
Ned Raggett. "The Birthday Party Junkyard". AllMusic. Retrieved 1 April 2020.
Tim Stegall (27 June 1997). "Reissues". The Austin Chronicle. Retrieved 2 April 2020.
"Junkyard". Acclaimed Music. Retrieved 17 February 2019.
"Nick Cave - Birthday Party - biografia, recensioni, streaming, discografia, foto".
Kolodziej, Markus. "CDs / LPs / Singles - Reviews BIRTHDAY PARTY Junkyard". Ox-Fanzine. Retrieved 1 April 2020.
Lipez, Zachary (6 February 2022). "The Birthday Party: Junkyard Album Review". Pitchfork. Retrieved 6 February 2022.
Reynolds, Simon (2005). Rip It Up and Start Again: Postpunk 1978?1984. London, UK: Faber and Faber. pp. 429?431. ISBN 0-571-21569-6.
"Junkyard - The Birthday Party". AllMusic. Retrieved 17 February 2019.
"The Quietus - Features - Anniversary - 30 Years On: We Return to the Birthday Party's Junkyard". The Quietus. Retrieved 17 February 2019.
O'Donnell, John; Creswell, Toby; Mathieson, Craig (October 2010). 100 Best Australian Albums. Prahran, Vic: Hardie Grant Books. ISBN 978-1-74066-955-9.
Dimery, Robert; Lydon, Michael (7 February 2006). 1001 Albums You Must Hear Before You Die (Revised & Updated ed.). Universe. ISBN 0-7893-1371-5.
"The Birthday Party - Junkyard". Discogs. Retrieved 17 February 2019.
"Birthday Party | Artist". Official Charts Company. Retrieved 30 September 2014.
Lazell, Barry. "Indie Hits: "B"". Cherry Red. Archived from the original on 6 June 2011. Retrieved 30 September 2014.
External links

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484: 名盤さん [sage] 2022/04/26(火) 06:25:51 ID:L1PCCZu4

"Release the Bats" became a highlight of the Birthday Party's live set in early 1981 and was recorded for a John Peel session.[3] The track and its B-side were recorded on the same night with a session at the Townhouse Studios with producer Nick Launay, who was commissioned by 4AD because of his work on Public Image Ltd's Flowers of Romance (1981). Launay managed to book cheap studio time in Studio Two after midnight only, as the daytime session on the studio was occupied by Phil Collins. Launay recalled: "They walked in looking like they hadn't slept in days, all smartly dressed in black like they had just come from church but maybe the church was a ruin with rats, and they hadn't washed in weeks... The term goth did not exist at that time, certainly not in the way we would use it these days, but I will say that recording a song called 'Release The Bats' with people who looked like vampires was pretty fucking exciting!"[5]

The sessions were dominated by guitarists Mick Harvey and Rowland S. Howard. During the recording of the vocals of the B-side "Blast Off," they insisted vocalist Nick Cave redo the middle section of the track many times as a prank, until Cave was out of breath and nearly collapsed. The band ended up using the first take with the advice of Launay. As a means of retaliation, Launay equalized the guitar tracks with a huge amount of mid-range after they requested that the guitars sound the way a bee sting feels. He also ran them through two more graphic equalizers and cut out all the low end, creating the abrasive and distorted sound of the track. During the rest of the recording, the band members regularly disappeared to the bathroom, which according to Launay "added to the fuel and edginess of the night," and notable arguments broke out, mainly aiming at drummer Phill Calvert.[5]

According to Harvey, the title track was conceived as "a comedic interlude" and was recorded "because it happened almost by accident."[3]

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485: 名盤さん [sage] 2022/04/26(火) 06:26:11 ID:L1PCCZu4

Music and lyrics
AllMusic's Amy Hanson categorized the track as a "deep rolling bass-led cacophony,"[3] while Sasha Frere-Jones of New Yorker argued that its "rhythm section vamps around a menacing bass figure while the guitar lurches back and forth, unsure of whether to make noise or form chords."[6] Cave’s barely comprehensible yowling vocals on the track also contrasts with "the ominous baritone with which he’s now indelibly associated."[7]

Lyrically, the song was meant to be a self-parody, caricaturing the band's gothic associations. The title and lyrics of the track employs typical gothic themes, with attacking phrases such as "sex horror sex bat sex sex horror sex vampire sex bat horror vampire sex."[8]

Reception and legacy
AllMusic critic Amy Hanson described the track as "the quintessential Birthday Party song," stating: "The song's title alone ensured that "Release the Bats" became a mantra for the gothic generation as vampires, blood, and biting were so popular with the caped crowd."[3] The song formed a basis for the gothic rock genre,[9] which was later dismissed by Cave.[3]

NME listed the track as number 7 on its list of "The 20 Greatest Goth Tracks."[9] The single was also featured on Fact magazine's list of "20 best: Goth records ever made" as number 5.[7]

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