Androidの神アプリを挙げるスレ part108 (708ﾚｽ)
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57: エスパー魔美 ◆Akina/PPII 06/17(火)09:25 ID:6A4kimy3(11/27) AA×
>>2-9>>54-56
動画ﾘﾝｸ[YouTube]
外部ﾘﾝｸ:inv.nadeko.net
587(1): 情報公開室*二丁目五番二号 ◆Akina/PPII 06/23(月)20:31 ID:7r1Io/n7(36/38) AAS
Beethoven - Symphony No 9 'Choral' - Furtwängler, BPO (19 April 1942)
動画ﾘﾝｸ[YouTube]
Beethoven, Symphony 9
1:15 1. Allegro ma non troppo, un poco maestoso
19:35 2. Molto vivace
32:34 3. Adagio molto e cantabile
51:36 4. Presto
Ludwig van Beethoven - Symphony No 9 in D minor "Choral" op 125
Erna Berger, soprano, Gertrude Pitzinger, contralto, Helge Rosvaenge, tenor, Rudolf Watzke, bass, Berlin Philharmonic Orchestra conducted by Wilhelm Furtwängler
Booklet notes from the Archipel CD release [ARCHIPEL ARPCD 0270]
Michael Tanner: Furtwängler, Hitler and the Ninth
Beethoven's Ninth Symphony gradually achieved an iconic status during the nineteenth century, and no-one felt more fervently its unique position, as a kind of secular sacred rite, than Wilhelm Furtwängler. He refused to conduct it during the First World War, regarding contemporary events as too horrifying to permit of such celebrations as we find in the last movement. While many people have harboured doubts about that movement, Furtwängler saw it as the successful climax of the work, with its message of Universal Brotherhood, its unrestrained exulting, and its insistence that a Creator must live beyond the stars.
Until now we have had eleven recordings of performances, all of them 'live', under Furtwängler. The first dates from 1937, in London, and the last from August 1954, three months before his death. As usual with him, there are many differences of detail and emphasis from one performance to another, but the broad outlines are the same. The most extreme performance to date has been from Berlin in March 1942, where the ferocious intensity of the first movement's central climax is still a shattering experience, despite the limitations of sound. In Bayreuth in 1951, too, where the annual festival was re-inaugurated after the Second World War with Furtwängler conducting the Ninth, as Wagner had conducted it in 1872 at the laying of the foundation stone of the Festspielhaus, there is a quite extraordinary exhilaration about the last movement, an expression of boundless hopes for a new departure for humanity.
But in April 1942 Furtwängler was tricked by Goebbels into conducting this work on the eve of the Führer's birthday in Berlin, something he had always managed to avoid before. Try as he would to insist that he was unwell, had commitments in Vienna, and so on, he was forced to take part and conduct it, after Goebbels had made a speech. The resulting performance is now to be heard on a recording, made privately, for the first time, and is a document of the first importance and of fearful intensity. It is vehement to a degree: the timpani in the second movement sound like Jove's thunderbolts. The great fanfare in the third movement is apocalyptic. And in the last movement, after stupendous ecstasies and paeans, the unspeakable happens: Furtwängler always accelerated wildly for the closing bars, suggesting a barely controlled excitement. But on this occasion the last bars are a nightmare of nihilism, a stampede towards the abyss, such as I have never heard in any other music. It is as if Furtwängler is doing what Thomas Mann's fictional composer Adrian Leverkühn says he will do in Dr. Faustus: take back the Ninth Symphony, because
all the hopes and aspirations of the noble side of humanity have come to naught. But instead of writing a new piece to negate the Ninth, Furtwängler does the unthinkable and revokes the work by the way he plays its own ending. Walter Benjamin said that every document of civilization is also a document of barbarism. Never has that been more clearly true than in this terrifying account of the Ninth.
632: ◆Akina/PPII 07/28(月)21:51 ID:ypRpOSBT(8/9) AAS
Hilary Hahn Plays the Greatest Bach and Beethoven Violin Works #violin
公開日 2025/06/03 • 65 回視聴
動画ﾘﾝｸ[YouTube]
外部ﾘﾝｸ:inv.nadeko.net
この人が日本に来てくれるけど、東京が一番に言ってもらった方が良いかな
迷う
660(2): エスパー魔美 ◆Akina/PPII ハンター[Lv.248][SR武][SR防][苗] 09/08(月)08:03 ID:7yzOW8bU(1/26) AAS
どうやっやてを死ねば良いねばいいのでしよぬ
画像ﾘﾝｸ
>>658
Beethoven - 32 Piano Sonatas (complete) (Audio+Sheet) [Kempff]
動画ﾘﾝｸ[YouTube]
669(1): エスパー魔美 ◆Akina/PPII ハンター[Lv.249][SR武][SR防][苗] 09/08(月)10:09 ID:7yzOW8bU(10/26) AAS
動画ﾘﾝｸ[YouTube]
679(1): エスパー魔美 ◆Akina/PPII ハンター[Lv.250][SR武][SR防][苗] 09/08(月)12:29 ID:7yzOW8bU(19/26) AAS
とか思った。
>>677
304 あんみつ姫 (NL 0Hca-cqr4) sage 2025/09/08(月) 12:27:36.91 ID:7yzOW8bUH BE:349796288-2BP(1000)
⭐ Beethoven Symphony no.5 (Furtwängler) ⭐ ベートーヴェン 交響曲第5番 “運命” (フルトヴェングラー) ⭐
動画ﾘﾝｸ[YouTube]
>>213
住友さんのところと家は繋がりは薄いけれども、長いこと知らん顔してすまなんだね。
弥太郎さはイロハスタンダードへの報復というより何時ものやり方やわね。
業界初とかあったけど、家の方が先やないかね。ﾏｧ黙っとくわ。未だに残っとるで気質に堅気による形見の為の肩身の狭い闘いから暫しの休暇を取れるので今夜は静かに過ごします。
家に挨拶に来るほどやし、住友さんの過去に出した冊子を再度動画で見られたりとね、ええい！
今は知らん顔しておきます。ようあんな一等地のぐろの辻道に八十坪くらいかね。まあ小しゃい家やけどもこの辺で住友林業の家やるとは、流石やわ。
目立たんようにしておきますでね。
いつもありがとう。
住友ファーマの時代を今の前衛部隊に加わってまうとしますわ。
アディダス書いたらNIKEか。
680(3): エスパー魔美 ◆Akina/PPII ハンター[Lv.250][SR武][SR防][苗] 09/08(月)12:31 ID:7yzOW8bU(20/26) AAS
>>676
>>679
あらまあ
動画ﾘﾝｸ[YouTube]
683(1): エスパー魔美 ◆Akina/PPII ハンター[Lv.251][SR武][SR防][苗] 09/08(月)14:14 ID:7yzOW8bU(22/26) AAS
>>680
いじわる
>>682
よくあるよくある
実験がご趣味だとは思いも寄りませんでしたけども、自分も今から気が付けば実験人間やけどね、息継ぎなしで行くとワヤになるでね、走っていってチューズライ！イレブルテレブルアヘロイン遍に行くとまたか・・
・
ううん。
。
。
となるでしょう。
鍵かけるどころか監獄にするわ。
監獄発声の喜劇のひあい
ツカレル
動画ﾘﾝｸ[YouTube]
684(1): エスパー魔美 ◆Akina/PPII ハンター[Lv.251][SR武][SR防][苗] 09/08(月)14:18 ID:7yzOW8bU(23/26) AAS
>>683
動画ﾘﾝｸ[YouTube]
>>680
695(4): エスパー魔美 ◆Akina/PPII 警備員[Lv.13] 09/18(木)12:49 ID:rVYGGs8L(1/2) AAS
942 ５ちゃんねる⇒ソフトウェア＠5ch掲示板 ◆Akina/PPII Virgin's high! 2025/09/18(木) 12:43:36.08 ID:CxNboZVv BE:223181803-PLT(17365)
小泉農林水産大臣記者会見（令和7年9月2日）
公開日 2025/09/02 • 2,033 回視聴
0
動画ﾘﾝｸ[YouTube]
外部ﾘﾝｸ:inv.nadeko.net
maffchannel
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会見概要（文字情報）は、次のリンクをクリックしてご覧ください。
maff.go.jp/j/press-conf/250902.html
大臣から
〇8月6日からの大雨被害への支援等について
主な質疑事項
〇台湾による日本産食品の輸入規制の撤廃について
〇コメの店頭価格の見通しについて
〇水田政策の見直しについて
〇野党の農業政策について
〇コメの概算金等の報告について
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