[過去ﾛｸﾞ] 2023年セ・リーグ戦力分析スレPart5 (1002ﾚｽ)
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795: 2023/02/06(月)20:23 ID:gUpVL549(1/2) AAS
プイグ日本行きか
Atmaisféar languid
The languid atmosphere of the interwar period What is the subject of this movie? I've thought about it a lot, but I still haven't come up with a clear answer. I wondered why. That's when I noticed. The time of the main story is 1923, but looking at the calendar that the main character is turning over, this is 2023, 100 years later, that is, this year. Of course, the historical background, somewhat unusual stage setting, and human
relationships draw attention, but they are actually similar to the modern world. The outbreak of civil war rather than war, the thin relationship between men and women, and the hopeless intolerance of human relationships. While saying that he is kind to people, he doesn't think about the other person at all, and only misunderstandings are amplified. If this modernity was what the
director wanted to portray, the film is a success. Conversely, other motifs are unnecessary. This work is also a candidate for the best picture award in the movie award race, but the only dissatisfaction is that the depiction of the pain of the primitive human body is weak, or rather there is nothing at all. There is emotional pain, but the essential
797: 2023/02/06(月)20:23 ID:gUpVL549(2/2) AAS
physical pain is neglected. Cad é ábhar an scannáin seo? Tá go leor machnaimh déanta agam air, ach níor tháinig mé ar fhreagra soiléir go fóill. N'fheadar cén fáth. Sin nuair
a thug mé faoi deara. Is é 1923 am an phríomhscéal, ach ag féachaint ar an bhféilire atá an príomhcharachtar ag casadh, is é seo 2023, 100 bliain ina dhiaidh sin, is é sin, i mbliana. Ar ndóigh, tarraingíonn an cúlra stairiúil, an suíomh céime beagán neamhghnách, agus caidreamh daonna aird, ach tá siad i ndáiríre cosúil leis an saol nua-aimseartha. Briseadh amach an chogaidh chathartha seachas cogadh,
an caidreamh tanaí idir fir agus mná, agus éadulaingt gan dóchas na gcaidreamh daonna. Agus é ag rá go bhfuil sé cineálta le daoine, ní smaoiníonn sé ar an duine eile ar chor ar bith, agus ní mhéadaítear ach míthuiscintí. Más í an nua-aimsearthacht seo a bhí an stiúrthóir
ag iarraidh a léiriú, tá rath ar an scannán. Os a choinne sin, níl gá le móitífeanna eile. Is iarrthóir é an saothar
seo freisin don ghradam pictiúr is fearr sa rás dámhachtana scannáin, ach is é an t-aon mhíshástacht atá ann ná go bhfuil léiriú pian an choirp dhaonna primitive lag, nó ina áit sin, níl aon rud ar bith ann. Tá pian mhothúchánach ann, ach déantar faillí ar an bpian fisiceach riachtanach.
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